The city consciousness is obvious in Kaiser Haq’s poetry. Kaiser Haq, who’s an city poet, used his poems to point out how conscious he was of the world round him. The poet, alternatively, made a spot the place he wished to go. He could not determine how the capital modified from when he was younger to now, so he wished to go to a spot the place nobody was dominated by anybody else. Lately a analysis article City Consciousness in Kaiser Haq’s poetry has been revealed within the Journal of Postcolonial Writing and World Literatures. The analysis article has been written by Maria Zaman.
The analysis piece additionally examines Kaiser Haq’s poetry when it comes to city consciousness, and it inquires as to how this consciousness influenced his artistic creativeness. Within the poem “Santahar,” there’s a image of escaping from town and transferring to Santahar, which the poet considers to be a quiet place. The poet’s want to return to Santahar and die peacefully was expressed within the poem “Santahar,” which started with the phrases “Now I do know what Santahar means: it’s anywhere you wish to return to so you possibly can die in peace” (Haq,17) And thus was the singularity of Haq’s city consciousness: he was content material along with his city existence but wished to return to a small, peripheral village so as to die peacefully in his sleep.
Creator Maria Zaman additionally provides that as an city poet, Haq offered correct accounts of hectic metropolis life, but he additionally appeared to understand the sweetness that exists past the on a regular basis. Though the poet was born and raised within the capital, he most popular to retire in a bit of village close to a railway junction. Haq celebrates his life on the planet’s busiest metropolis, however he needs to die in tranquility in Santahar. And this was the essence of city consciousness. Being a metropolis resident for almost all of 1’s life however finally selecting a serene location to spend the ultimate days of 1’s life gave consciousness to city residing.
As a Literature scholar, Zaman discovered it immensely fascinating how authors and poets depict metropolis life. Nonetheless, Zaman’s concern was exacerbated by the truth that the vast majority of them depicted metropolis life as corrupting or harmful for its inhabitants. And this is the reason Zaman selected to put in writing this text: Haq didn’t merely paint town unfavorably; he additionally depicted it as a beautiful location.
Journal of Postcolonial Writing and World Literatures is part of Royallite International and focuses on the formation of empire, the influence of colonization on postcolonial historical past, economic system, science, and tradition, the cultural productions of colonized societies, feminism and postcolonialism, marginalized individuals’s company, and the state of the postcolonialism in modern financial and cultural contexts, capitalism and the market, environmental considerations, and the connection between aestheticism and aesthetics. The journal’s broad goals and scope allow teachers to analyze associated topic areas.
Author: Maria Zaman, Graduate Educating Assistant, College of North Dakota, USA
Article Supply- Zaman, M. “City Consciousness in Kaiser Haq’s Poetry”. Journal of Postcolonial Writing and World Literatures, vol. 2, no. 2, Apr. 2021, pp. 7-13, https://royalliteglobal.com/world-literatures/article/view/576.