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Abdul Gaffar Chowdhury understood the language of the individuals and their wants even whereas sitting in distant London. Abdul Gaffar Chowdhury simply wished to be a journalist. He attains perfection in his pursuit. His identify means the identify of a pen soldier. The identify of a warrior, the identify of a inventive man. He didn’t hesitate to take constructive criticism. Abdul Gaffar Chowdhury was the individual whose identify individuals used to learn the column. His readers have been the world over. We do not assume there have been so many readers.
Immediately, this state of Bangladesh is working in direction of its centenary past its 51 years. Abdul Gaffar Chowdhury is among the thinkers who was born and raised on this state. His nice love was handed on to the following technology with the inevitable accountability of carrying on the legacy of progressive consciousness. Undoubtedly, his demise is an irreparable loss for us. His vacancy is to not be crammed. Bangladesh will always remember a timeless baby such as you. You’ll be within the depths of our chests and hearts.
We’re deeply saddened by the demise of eminent author and journalist Abdul Gaffar Chowdhury, the writer of Ekushey’s immortal tune ‘ Amar Bhaiyer Rokte Rangano Ami ki Bhulite Pari, Ekushey February painted in my brother’s blood, can I overlook’. Abdul Gaffar Chowdhury is an integral a part of the historical past of Bangladesh. He was an in depth affiliate of the Father of the Nation Bangabandhu Sheikh Mujibur Rahman. He took half within the Non-Aligned Convention with Bangabandhu in Algiers in 1973.
He was the founding government editor of the weekly Pleasure Bangla, the primary impartial Bengali newspaper registered by way of the Mujibnagar authorities in the course of the conflict of liberation. Throughout this time he additionally labored as a columnist in Kolkata’s Anandabazar and Jugantar.
Even earlier than independence, Abdul Gaffar Chowdhury wrote numerous analytical articles in favor of the autonomy of this nation. He was imprisoned in Dhaka in 1955 whereas celebrating Ekushey February. He was at all times vocal in favor of liberation conflict, Bangladesh, Bangabandhu and non-communal consciousness.
Abdul Gaffar Chowdhury began his profession as a journalist within the every day Insaf. Later he labored in lots of newspapers together with Day by day Sangbad, Month-to-month Saugat, Day by day Ittefaq, Day by day Azad, Day by day Purbodesh and Day by day Janpad.
Though he emigrated to the UK as a consequence of his spouse’s medical situation a number of years after independence, he wrote a major column within the high dailies of Bangladesh. His columns on politics, modern occasions and worldwide affairs have been extraordinarily in style. He was the preferred columnist in Bangladesh.
Just a few days earlier than his demise, he wrote a daily column in a number of newspapers within the nation. Not simply newspaper columns, he has many notable literary works. These embody poems, tales, novels, performs and memoirs. He has been awarded quite a few awards together with the nation’s highest award, the Independence Award, the Ekushey Padak and the Bangla Academy Award.
With the demise of Abdul Gaffar Chowdhury, the Bengali nation misplaced a terrific patriot and a person of non-communal consciousness. Even when Abdul Gaffar Chowdhury dies bodily, he’ll dwell within the hearts of individuals, particularly by way of the immortal songs of Ekushey.
The identify Abdul Gaffar Chowdhury is intently related to the formation of the context of the language motion and the ultimate chapter of the massacre language motion, Ekushey February. He was an immortal chapter of it. So long as there may be the Bengali nation, there may be the Bengali language and the identify Abdul Gaffar Chowdhury will come up in context.
Ekushey February is now acknowledged as Worldwide Mom Language Day. Ekushey February is widely known as Mom Language Day in all nations of the world. The late Abdul Gaffar Chowdhury, the creator of the tune ‘Ekushey February painted in my brother’s blood, can I overlook’, which is sung within the morning procession or some other occasion preserving Ekushey in entrance of me, remembering the achievements and tragic chapter of Ekushey.
For a very long time, his place on the planet of journalism was primarily centered on democratic, non-communal, nationalist ideology. It was on this vein that his fame unfold at house and overseas. He embodied the spirit of language motion and liberation conflict in his political opinions and from these two sources, he has remained steadfast in his coverage by being wealthy in political-cultural energy. Abdul Gaffar Chowdhury is an genuine Bengali who holds the historical past custom and literary tradition of Bengal on the core of his consciousness.
Grew to become a legend as a journalist and columnist. Till his demise he was vocal in favor of progressivism and the spirit of liberation conflict; Towards secularism, backwardness and response. When he noticed the calamity of catastrophe within the sky of Bangladesh, he got here ahead sharply. Sturdy arguments, historic information and statements of actual expertise have pushed the nation in direction of the trail of sunshine.
Ekushey’s immortal tune ‘Ekushey February painted in my brother’s blood’, which is acknowledged because the immortal tune of Prabhatferi, was composed to commemorate the bloody physique of Language martyr Rafiquddin who was shot within the head by the police on February 21, 1952.
The tune was utilized in Zaheer Raihan’s 1970 movie Jibon theke Neya (Taken from the Life). The tune was ranked third among the many finest songs within the Bengali language by BBC Viewers Survey. At current this tune is sung in 15 languages together with Hindi, Malay, English, French and Swedish.
Abdul Gaffar Chowdhury was conscious of historical past and custom and wealthy in non-communal consciousness. Every time the poison of communalism has poisoned the Bengali life, he has picked up the pen. Abdul Gaffar Chowdhury’s thought-consciousness enlivened the Bengalis with non-communal consciousness. As an alternative of religion-based nationalism, it shines within the gentle of Bengali nationalities. His columns and literature ignited the everlasting flame of Bengaliness within the consciousness of the nation.
Throughout the conflict of independence in 1971, he labored in ‘Pleasure Bangla’, ‘Jugantar’ and ‘Anandabazar’ magazines. Within the context of 1952’s language motion, his tune introduced him not solely fame but additionally immortality. At first, he composed the melody himself. Later Abdul Latif and eventually Shaheed Altaf Mahmood composed the tune and the tune is sung within the current tune.
Hiren Pandit is a researcher
and columnist.
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